Member Profiles
Alana Arenas
Biography
Alana Arenas joined the Steppenwolf Theatre Company ensemble in 2007 and created the role of Pecola Breedlove for the Steppenwolf for Young Adults production of The Bluest Eye, which also played at the New Victory Theater Off-Broadway. Recent Steppenwolf appearances include the Steppenwolf for Young Adults production of Monster, The Fundamentals, Marie Antoinette, Tribes, Belleville, Head of Passes, Good People, Three Sisters, The March, Man in Love, Middletown, The Hot L Baltimore, The Etiquette of Vigilance, The Brother/Sister Plays, The Tempest, The Crucible, Spare Change and The Sparrow Project. Other theatre credits include Disgraced (American Theater Company), The Arabian Nights (Lookingglass Theatre Company, Berkeley Repertory Theatre and Kansas City Repertory Theatre), Eyes (eta Creative Arts), SOST (MPAACT), WVON (Black Ensemble Theater) and Hecuba (Chicago Shakespeare Theater). Television and film credits include David Makes Man, Canal Street, Crisis, Boss, The Beast, Kabuku Rides and Lioness of Lisabi. She is originally from Miami, Florida, where she began her training at the New World School of the Arts. Alana holds a BFA from The Theatre School at DePaul University.
Watch & Listen
Libya V. Pugh, Monifa M. Days, Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Libya V. Pugh and Monifa M. Days
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Cast, director Hallie Gordon and playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Alana Arenas
credit: Michael Brosilow
The Sparrow Project
Sara and Sammie are trust-funded twins living in a dirty NYC studio on a diet of drugs and rice. When Sara brings home Texas tourist Dolly, the twins do everything they can to suck her into their aimless world. But there’s something about Dolly...
Ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Ensemble members Alana Arenas and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Ensemble member Sally Murphy as Elizabeth Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Ensemble member James Vincent Meredith as John Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Ensemble member Alana Arenas as Mary Warren
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Ensemble members James Vincent Meredith and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Director Anna D. Shapiro with Sally Murphy, James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
James Vincent Meredith, Anna D. Shapiro and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.
Lee Stark and ensemble member Tim Hopper
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members Tim Hopper and Ora Jones
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Kelly O'Sullivan and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members Ian Barford and Sally Murphy
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Francis Guinan, Tim Edward Rhoze and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Maury Cooper as Giles Corey
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Alan Wilder, Tim Rhoze and ensemble member Franics Guinan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Kelly O'Sullivan as Abigail Williams
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Tim Hopper as Reverend Hale
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Ora Jones as Tituba
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Mildred Langford, Lucy Carapetyan and Kelly O'Sullivan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Playwright Lydia Diamond
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Playwriting Techniques Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Playwriting Techniques Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble member James Vincent Meredith
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble member James Vincent Meredith
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble member Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble member Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble members James Vincent Meredith and Alana Arenas
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Tools for Performance Workshop
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Risk & Play Workshop with 500 Clown
credit: Mark Campbell
SYA Teen Super Summer Theatre Workshops
The Steppenwolf Young Adult Council spent summer break participating in workshops led by Chicago theater artists including 500 Clown, playwright Lydia Diamond, and ensemble members Alana Arenas and James Vincent Meredith.
Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Artistic Director Martha Lavey
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Ian Barford
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Robert Breuler
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Alana Arenas
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member K. Todd Freeman
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble members Frank Galati and Alana Arenas
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Guests enjoy drinks and conversation
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Ensemble member Tina Landau and Associate Artistic Director David New
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Question and answer session with the cast
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Guests enjoy a reading of The Tempest
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Annual Fund donor in conversation with ensemble member Frank Galati
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Ensemble member Tina Landau converses with new subscribers
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Donors and subscribers enjoy appetizers in Yondorf Rehearsal Hall
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Ensemble members Tina Landau and Jon Michael Hill
credit: Mark Campbell
Donor Cast Party for The Tempest
Annual Fund donors and new subscribers got an exclusive insider look at the rehearsal process for The Tempest at the annual Donor Cast Party. After mingling with the cast over drinks and appetizers, guests enjoyed a conversation with director and ensemble member Tina Landau.
Ensemble members James Vincent Meredith, Lois Smith, Yasen Peyankov, Alan Wilder with Stephen Louis Grush and ensemble member Tina Landau
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble member Frank Galati
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble members Alana Arenas and Tina Landau
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble member Jon Michael Hill
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble members Tina Landau and Frank Galati
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble members Jon Michael Hill and Alana Arenas
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Miles Fletcher
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Ensemble members Tina Landau and Tim Hopper
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Stephen Louis Grush
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Scenic Design Model
credit: Mark Campbell
The Tempest in Rehearsal
The cast and crew of The Tempest in rehearsal for the play by William Shakespeare.
Eric James Casady, Emma Rosenthal, ensemble member Jon Michael Hill, Stephen Louis Grush, ensemble members Frank Galati and Alana Arenas with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble members Jon Michael Hill and Lois Smith, Emma Rosenthal,ensemble member Alan Wilder, Miles Fletcher, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble members James Vincent Meredith and Alan Wilder
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble member Alana Arenas, Stephen Louis Grush, Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Jon Michael Hill, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Eric James Casady, Miles Fletcher, Emma Rosenthal, ensemble members Alan Wilder, Lois Smith, James Vincent Meredith with Craig Spidle
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble member Jon Michael Hill
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble member Alana Arenas with Stephen Louis Grush
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble members K. Todd Freeman, Yasen Peyankov and Tim Hopper
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble member Jon Michael Hill, Emma Rosenthal, ensemble member Frank Galati with Miles Fletcher
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble members K. Todd Freeman and Frank Galati
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Ensemble member Lois Smith, Craig Spidle and ensemble member James Vincent Meredith
credit: Michael Brosilow
The Tempest in Production
In Shakespeare’s final work, Prospero is exiled to an enchanted island where he harnesses the powers of magic and masters the spirits that dwell there. His desire for revenge drives him to conjure a mighty storm trapping his enemies on the island.
Kathleen Juhl, Amy Prange, Sally Truckenbrodt and Carrie Truckenbrodt
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Co-Chairs Greg Faron, Jennifer Kim and Francis Sadac
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Guests enjoy Steppenwolf Auxiliary Council’s Red or White Ball
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Red or White Ball Co-Chair Greg Faron and Steppenwolf Trustee Michael Noonan
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Henry Marshall Derek and ensemble member Alana Arenas
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Lydia Glowaty, Dianna DiIorio and Auxiliary Council Vice President Lauren Dettloff
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Honorary Co-Chair Michael Patrick Thornton, Steppenwolf Associate Artistic Director David New and Chicago Public Schools CEO Ron Huberman
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Jonathan Davila and Sarah Stec
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Ardis Tabb and Collette Gregory
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
Auxiliary Council Secretary Stephanie Linn, Liza Michaels Gravengaard and Auxiliary Council Vice President Lauren Dettloff
credit: Kyle Flubacker
Red or White Ball 2009
More than 600 of Chicagoland’s young professionals gathered at Salvage One for a spectacular evening of cocktails, food, entertainment, a silent auction and raffle prizes at the Auxiliary Council's seventh annual Red or White Ball.
The cast of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, ensemble member Alana Arenas, Phillip James Brannon and ensemble member Tina Landau
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon(foreground), Rodrick Covington and ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members Tina Landau and Ora Jones
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis and ensemble member Alana Arenas
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon and Jacqueline Williams
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
The cast and director of The Brother/Sister Plays
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Tarell Alvin McCraney and Phillip James Brannon(foreground) with ensemble member K. Todd Freeman(background)
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon, ensemble member K. Todd Freeman and Tarell Alvin McCraney
credit: Mark Campbell
The Brother/Sister Plays in Rehearsal
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, ensemble member K. Todd Freeman, Jacqueline Williams, ensemble member Alana Arenas, Jeff Parker, Rodrick Covington and Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, ensemble member Ora Jones with Jacqueline Williams
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Tamberla Perry, ensemble member K. Todd Freeman with Phillip James Brannon
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Rodrick Covington (foreground), Jeff Parker, Jacqueline Williams, Tamberla Perry and Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members Ora Jones and Alana Arenas (foreground), Jacqueline Williams, Glenn Davis, Phillip James Brannon and Rodrick Covington (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Jacqueline Williams (foreground), Phillip James Brannon (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jeff Parker with ensemble member Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, Tamberla Perry, Phillip James Brannon and Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jeff Parker, ensemble members Alana Arena and Ora Jones with Jacqueline Williams, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Rodrick Covington and the cast
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Rodrick Covington with ensemble members Alana Arenas and K. Todd Freeman (foreground) with Glenn Davis (background)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas (center)
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jeff Parker, Glenn Davis, ensemble members Alana Arenas and K. Todd Freeman with Rodrick Covington
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas (center), Jacqueline Williams, Jeff Parker, ensemble member Ora Jones, Rodrick Covington, Tamberla Perry and ensemble member K. Todd Freeman
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Phillip James Brannon and Glenn Davis
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, Jacqueline Williams with ensemble members Ora Jones and Alana Arenas
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jacqueline Williams and ensemble member Ora Jones
credit: Michael Brosilow
In the Red and Brown Water in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member K.Todd Freeman with Phillip James Brannon and Glenn Davis in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis and Phillip James Brannon (foreground) with ensemble member K. Todd Freeman (background) in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member K.Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon and ensemble member K. Todd Freeman in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member K.Todd Freeman with Glenn Davis and Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, ensemble member K. Todd Freeman with Phillip James Brannon in <em>The Brothers Size</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Tamberla Perry, Glenn Davis and ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Tamberla Perry with ensemble members Alana Arenas and K. Todd Freeman in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jacqueline Williams in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis and Rodrick Covington in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Glenn Davis and Tamberla Perry in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis (background) with ensemble members Ora Jones and Alana Arenas (foreground) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis with ensemble member Alana Arenas in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon, Glenn Davis, Rodrick Covington and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member K.Todd Freeman with Glenn Davis in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas with Glenn Davis (foreground), Phillip James Brannon and Rodrick Covington (background) in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Phillip James Brannon, Rodrick Covington, Glenn Davis and Jeff Parker in <em>Marcus; Or the Secret of Sweet</em>
credit: Michael Brosilow
The Brothers Size/Marcus; Or the Secret of Sweet in Production
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Tina Landau and playwright Tarell McCraney
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members Alana Arenas and K. Todd Freemand with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Jacqueline Williams, ensemble member Alana Arenas, Phillip James Brannon and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas, Phillip James Brannon, Jeff Parker, Tamberla Perry and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member Alana Arenas speaking with David Rosenberg (Communications Director), with Rodrick Covington and Jeff Parker
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble member K. Todd Freeman, Phillip James Brannon filming b-roll of <em>The Brothers Size</em> with HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble members K. Todd Freeman and Tina Landau with HMS Media crew in the background
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Glenn Davis, ensemble member Ora Jones with Jacqueline Williams and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Stage Manager Deb Styer with playwright Tarell McCraney and HMS Media crew
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
HMS Media crew between shoots with Rodrick Covington, ensemble member Alana Arenas, David Rosenberg, ensemble member Ora Jones and Jeff Parker(also pictured)
credit: Mark Campbell
Behind the Scenes at The Brother/Sister Plays B-Roll Shoot
A breakthrough theatrical event: three interconnected plays by a brilliant new American voice. Grand in scope, yet intimate and heartfelt, Tarell McCraney’s plays are daring, funny and genuine. Steppenwolf will present The Brother/Sister Plays in repertory, with In the Red and Brown Water on one evening, in rotation with The Brothers Size/Marcus; Or the Secret of Sweet on another.
Ensemble Member Alana Arenas and Alfred Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson in front of Director Timothy Douglas and Stage Manager Angela Adams
credit: peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas
credit: peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson
credit: Peter coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Director Timothy Douglas
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson talk with Director Timothy Douglas
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Alfred Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas and Alfred Wilson
credit: peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas talks with director Timothy Douglas
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Cast and production team prepare for scene
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Ensemble Member Alana Arenas talks with Director Timothy Douglas and Assistant Director Terrence Mosley
credit: Peter Coombs
The Etiquette of Vigilance in Rehearsal
We visited The Etiquette of Vigilance to see how rehearsals were going. Here's a glimpse of the actors digging into the text. The Etiquette of Vigilance is a part of the 6th Annual First Look Festival of New Work. First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.
Alana Arenas and Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas and Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson and Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas and Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas and Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson and Alana Arenas
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Alana Arenas and Alfred H. Wilson
credit: Peter Coombs
The Etiquette of Vigilance in Production
In this contemporary reconsideration of Lorraine Hansberry’s A Raisin in the Sun, O’Hara’s poignant new play imagines what might have happened to the beleaguered Younger family - and asks us to consider the wounds still healing from the days of city-sanctioned segregation. The Etiquette of Vigilance is part of the 6th Annual First Look Repertory of New Work, which also includes The Old Masters and The North Plan.
Namir Smallwood and ensemble member Yasen Peyankov
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member Jon Michael Hill
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member James Vincent Meredith and De'Adre Aziza
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble members Alana Arenas, Kate Arrington and Director Tina Landau
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Namir Smallwood and ensemble members Jon Michael Hill, Alana Arenas, Yasen Peyankov and Director Tina Landau
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member Molly Regan
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble members Alana Arenas, James Vincent Meredith and Kate Arrington
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member Yasen Peyankov and Allison Torem
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Namir Smallwood, ensemble member James Vincent Meredith, Jacqueline Williams, ensemble member Yasen Peyankov, Allison Torem and De'Adre Aziza
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Sean Allen Krill
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member James Vincent Meredith
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member and Director Tina Landau with ensemble member Kate Arrington
credit: Joel Moorman
Hot L Baltimore in Rehearsal
We spent some time with the cast and crew in rehearsal for Lanford Wilson's "The Hot L Baltimore."
Ensemble member Jon Michael Hill, Allison Torem and Jacqueline Williams
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Allison Torem and ensemble member Molly Regan
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrington and De'Adre Aziza
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrignton, De'Adre Aziza and Allison Torem
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member James Vincent Meredith and Jacqueline Williams
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Namir Smallwood, ensemble member Alana Arenas and ensemble member James Vincent Meredith
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrington
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Sean Allan Krill and Allison Torem
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Allison Torem and ensemble member Jon Michael Hill
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Namir Smallwood, Allison Torem, ensemble member Molly Regan and ensemble member Alana Arenas
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Molly Regan, ensemble member Yasen Peyankov, Allison Torem and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Kate Arrignton and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Jon Michael Hill, Allison Torem, ensemble member Kate Arrington, Samuel Taylor, De'Adre Aziza and Namir Smallwood
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Jon Michael Hill
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Ensemble member Molly Regan, Jacqueline Williams and Samuel Taylor
credit: Michael Brosilow
Hot L Baltimore in Production
This acclaimed play from the author of Balm in Gilead is filled with everyday humanity - unexpectedly intimate and moving. Helmed by visionary director Tina Landau, The Hot L Baltimore reveals the private lives of an unconventional community about to be turned inside out.Directed by ensemble member Tina Landau Featuring ensemble members Alana Arenas, Kate Arrington, Jon Michael Hill, James Vincent Meredith, Yasen Peyankov and Molly Regan with de'Adre Aziza, Jeremy Glickstein, Sean Allan Krill, TaRon Patton, Namir Smallwood, Samuel Taylor, Allison Torem and Jacqueline Williams
Young Adult Council members Jordan Einhorn and Chelsea Smith lead a post-show discussion with the actors from Hot L Baltimore
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
The cast of Hot L Baltimore answers questions from the teen audience
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Ensemble member Alana Arena laughing with Young Adult Council member Malcolm London
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Young Adult Council member Noelle Daniels struts her stuff on the dance floor
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Students get their photo snapped in the 1970s dress-up photo booth
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Slam Poet Shannon Mateskey goofing around in the photo booth
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Over 100 teenagers packed the Steppenwolf rehearsal hall
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Young Adult Council members and their friends dance to 70s soul band Aniba Hotep and the Sol Collective
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Teen guests enjoying the Hot L Baltimore teen event
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Students from Chicago Academy for the Arts hanging out at the teen event
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Hot L Baltimore actress Allison Torem lets loose with her audience
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
The Young Adult Council, with Program Coordinator Whitney Dibo and SYA Apprentice Lauren Sivak
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Young Adult Council members break it down on the dance floor
credit: Joel Moorman
The Scene: Hot L Baltimore
On Saturday April 30th Steppenwolf’s Young Adult Council hosted a special night for teenagers at the theatre. High school students from across Chicago had the opportunity to see The Hot L Baltimore at a discounted ticket price and then stay afterward for live music, slam poetry and artistic discussion inspired by the play.
Cast and crew in rehearsal for <i>Middletown</i>
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Michael Patrick Thornton
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Director Les Waters and Ensemble member Ora Jones
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Ensemble member Tracy Letts and Danny McCarthy
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Ensemble member Alana Arenas and Director Les Waters
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Ensemble member Alana Arenas, Les Waters and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Ensemble member Martha Lavey and Brenda Barrie
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Danny McCarthy, Ensemble member Alana Arenas, Brenda Barrie and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Keith Kupferer and Molly Glynn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Ensemble member Martha Lavey, Danny McCarthy and Brenda Barrie
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Brenda Barrie, Molly Glynn, Director Les Waters and Stage Manager Laura Glenn
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Director Les Waters
credit: Joel Moorman
Middletown in Rehearsal
We stopped by rehearsal for Middletown, Steppenwolf's next mainstage production.
Danny McCarthy
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Tim Hopper
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Michael Patrick Thornton, Brenda Barrie and ensemble member Martha Lavey
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Brenda Barrie and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Martha Lavey
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Brenda Barrie and ensemble member Tracy Letts
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Danny McCarthy and Keith Kupferer
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Tracy Letts and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Tim Hopper and Molly Glynn
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Tim Hopper and Brenda Barrie
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Ora Jones and Michael Patrick Thornton
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Ensemble member Tracy Letts and Brenda Barrie
credit: Michael Brosilow
Middletown in Production
Production photos from Steppenwolf's fifth production in the 2010-11 season, Middletown. Middletown is written by Will Eno and Directed by Les Waters.
Cast and Crew prepare for rehearsal
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Keith Gallagher and Tim Frank
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Ryan Lanning and ensemble member Alana Arenas
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Claire Wellin and Namir Smallwood
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Tim Frank, Ryan Lanning and ensemble member Alana Arenas
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Playwright Christina Anderson
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Ensemble member Alana Arenas, Director Robert O'Hara and Assistant Director Nathan R. Green
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Keith Gallagher and Namir Smallwood
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Ensemble member Alana Arenas and Ryan Lanning
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Director Robert O'Hara
credit: Joel Moorman
First Look's Man in Love in Rehearsal
We stopped by rehearsal for Man in Love by Christina Anderson. The show is one of three productions currently in rehearsal as part of Steppenwolf's 7th annual First Look Repertory of New Plays.
Tim Frank and Claire Wellin
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Namir Smallwood
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Tim Frank, Claire Wellin and Ryan Lanning
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Keith Gallagher and Namir Smallwood
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Ensemble member Alana Arenas and Ryan Lanning
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Keith Gallagher and Tim Frank
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Ensemble member Alana Arenas, Namir Smallwood and Ryan Lanning
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Alana Arenas and Namir Smallwood
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Tim Frank and Claire Wellin
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
Claire Wellin, Tim Frank, Ryan Lanning, ensemble member Alana Arenas and keith Gallagher
credit: Peter Coombs
First Look's Man in Love in Production
Production photos from Man in Love, written by Christina Anderson, directed by Robert O'Hara. Man in Love is one of three shows presented in Steppenwolf's 7th Annual First Look Repertory of New Work.
The cast of The March
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Director and ensemble member Frank Galati and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Shannon Matesky
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Composer Josh Schmidt and lead Musician L.J. Slavin
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Cliff Chamberlain
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Stephen Louis Grush and ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Shannon Matesky, Director and ensemble member Frank Galati and Will Allen
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Cliff Chamberlain, Michael Mahler and Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Stephen Louis Grush
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Phillip James Brannon
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensmeble member Alan Wilder
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member and Director Frank Galati
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Patrick Clear and members of cast
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Mariann Mayberry, Carrie Coon, Phillip R. Smith, ensemble member Alan Wilder and Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Harry Groener, Patrick Clear, Michael Mahler, John Grossman, Cliff Chamberlain and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Martha Lavey and ensemble member Mariann Mayberry
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Cast members of The March with Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Alana Arenas and Carrie Coon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Stephen Louis Grush and ensemble member Ian Barford
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
ensemble member James Vincent Meredith and ensemble member Alana Arenas
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Ian Barford with Phillip James Brannon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Shannon Matesky, ensemble member Alan Wilder and Phillip R. Smith
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
The Cast of The March
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Cast and Crew of <i>Three Sisters</i>
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Cast of <i>Three Sisters</i> including Dan Waller dancing in the center
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Caroline Neff and ensemble member Alana Arenas
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Caroline Neff and Scott Jaeck
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Carrie Coon and director and ensemble member Anna Shapiro
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Dan Waller and Derek Gasper
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Carrie Coon
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
B. Diego Colon and Chance Bone
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
John Judd and ensemble member Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Dan Waller and Scott Jaeck
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
John Judd and Yasen Peyankov
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Derek Gasper and Caroline Neff
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Scott Jaeck and Dan Waller
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Usman Ally and director and ensemble member Anna Shapiro
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Ensemble members Alana Arena, Anna Shapiro (director) and Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Ensemble members Anna Shapiro (director) and Tracy Letts (playwright/adapter)
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Ensemble member Yasen Peyankov
credit: Joel Moorman
Three Sisters in Rehearsal
Step into the rehearsal room and sneak a peek at our upcoming production of Three Sisters. Directed by ensemble member Anna Shapiro and adapted by ensemble member Tracy Letts (August Osage County).
Caroline Neff and Carrie Coon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Dan Waller and ensemble member Alana Arenas
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Usman Ally, Caroline Neff, Ora Jones, and Carrie Coon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Scott Jaeck and Dan Waller
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
The cast of Three Sisters
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Ensemble member Yasen Peyankov and B. Diego Colon
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Carrie Coon, Derek Gaspar and Caroline Neff
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Caroline Neff and Mary Ann Thebus
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
ensemble members Alana Arenas and Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Dan Waller
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Scott Jaeck, ensemble member Yasen Peyankov, Derek Gaspar and Caroline Neff
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Ensemble member Yasen Peyankov
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Dan Waller and Maury Cooper
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Carrie Coon, Caroline Neff and ensemble member Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Caroline Neff, Carrie Coon and ensemble members Yasen Peyankov and Ora Jones
credit: Michael Brosilow
Three Sisters in Production
Production photos from ensemble member Tracy Letts' adaptation of Three Sisters, directed by ensemble member Anna D. Shapiro.
Lusia Strus, ensemble member Mariann Mayberry and director and ensemble member K. Todd Freeman
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble member Molly Regan and Lusia Strus
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Keith Kupferer with ensemble members Mariann Mayberry and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble members Mariann Mayberry, K. Todd Freeman and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble member Mariann Mayberry and Keith Kupferer
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble members Alana Arenas and Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble member and director K. Todd Freeman with assistant director Nathan Green
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Keith Kupferer
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Keith Kupferer with ensemble members Mariann Mayberry and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
ensemble member Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Keith Kupferer with ensemble member Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble members Marian Mayberry, K. Todd Freeman and Alana Arenas
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Ensemble member Mariann Mayberry
credit: Joel Moorman
Good People in Rehearsal
Rehearsal photos from Steppenwolf's first production in the 2012/13 season, Good People, by pulitzer prize-winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd. Freeman and features ensemble members Mariann Mayberry, Alana Arenas, and Molly Regan, along with Keith Kupferer, Will Allen, and Lusia Strus.
Lusia Strus and ensemble members Mariann Mayberry and Molly Regan
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Ensemble member Molly Regan
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Ensemble member Molly Regan, Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Will Allan and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Will Allan, ensemble member Molly Regan, Lusia Strus and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Ensemble Member Mariann Mayberry and Keith Kupferer
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Keith Kupferer and ensemble memebers Alana Arenas and Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Keith Kupferer
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Keith Kupferer and ensemble member Alana Arenas
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Keith Kupferer and ensemble member Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Ensemble members Mariann Mayberry and Alana Arenas
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
Keith Kupferer and ensemble memebers Alana Arenas and Mariann Mayberry
credit: Michael Brosilow
Good People in Production
Production photos from Steppenwolf's Good People by Pulitzer Prize winner David Lindsay-Abaire. Good People is directed by ensemble member K. Todd Freeman and features ensemble members Alana Arenas, Mariann Mayberry and Molly Regan with Will Allan, Keith Kupferer and Lusia Strus.
The Cast of <i>Head of Passes</i>
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Assistant Director Cassy Sanders
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
James T. Alfred
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Glenn Davis
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce with ensemble member and director Tina Landau
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Chris Boykin and Cheryl Lynn Bruce
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Jacqueline Williams, James T. Alfred and Ron Cephas Jones
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Chris Boykin
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Kyle Beltran and Ron Cephas Jones with ensemble member and director Tina Landau
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Ensemble member and playwright Tarell Alvin McCraney, scenic design consultant Collette Pollard and assistant director Cassy Sanders
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Kyle Beltran
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce and ensemble member Tim Hopper
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Ensemble members Tina Landau (director) and Tarrell Alvin McCraney (playwright)
credit: Joel Moorman
HEAD OF PASSES in Rehearsal
Rehearsal photos from Steppenwolf's world premiere production of Head of Passes written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper, with James T. Alfred, Kyle Beltran, Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Ron Cephas Jones and Jacqueline Williams.
Jacqueline Williams, Kyle Beltran, Ron Cephas Jones, ensemble member Tim Hopper and Cheryl Lynn Bruce
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce and Jacqueline Williams
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Glenn Davis, James T. Alfred and Cheryl Lynn Bruce
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Ensemble member Tim Hopper, Ron Cephas Jones, James T. Alfred, Cheryl Lynn Bruce, Jacqueline Williams and Glenn Davis
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce and Alana Arenas
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Chris Boykin
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Jacqueline Williams, Ron Cephas Jones, Kyle Beltran, and ensemble member Tim Hopper
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
James T. Alfred
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce and ensemble member Tim Hopper
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce and Chris Boykin
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Cheryl Lynn Bruce
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Kyle Beltran and Ron Cephas Jones
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Ron Cephas Jones, Kyle Beltran, Jacqueline Williams and Cheryl Lynn Bruce
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Chris Boykin and Cheryl Lynn Bruce
credit: Michael Brosilow
HEAD OF PASSES in Production
Photos from Steppenwolf's world-premiere production of Head of Passes, written by ensemble member Tarell Alvin McCraney and directed by ensemble member Tina Landau. Head of Passes features ensemble members Alana Arenas and Tim Hopper with James T. Alfred, Kyle Beltran (Apr 4- May 20), Chris Boykin, Cheryl Lynn Bruce, Glenn Davis, Jon Michael Hill (May 20 - June 9), Ron Cephas Jones and Jacqueline Williams.
Ensemble member Alana Arenas
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Director Anne Kauffman, playwright Amy Herzog and assistant director Andrew Swanson
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Playwright Amy Herzog, ensemble member Alana Arenas, Chris Boykin and director Anne Kauffman
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Cliff Chamberlain
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
The rehearsal room for <i>Belleville</i>
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Chris Boykin
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Director Anne Kauffman with ensemble member Kate Arrington
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Cliff Chamberlain with Chris Boykin
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
The rehearsal room for <i>Belleville</i>
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Chris Boykin with Kate Arrington
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Director Anne Kauffman with playwright Amy Herzog
credit: Joel Moorman
BELLEVILLE in Rehearsal
Rehearsal photos from steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville Features ensemble members Alana Arenas and Kate Arrington, with Chris Boykin and Cliff Chamberlain.
Chris Boykin and Cliff Chamberlain
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington and Cliff Chamberlain
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington and Cliff Chamberlain
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Cliff Chamberlain and ensemble member Kate Arrington
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Cliff Chamberlain and ensemble member Kate Arrington
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington and Cliff Chamberlain
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Alana Arenas and Chris Boykin
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington and Cliff Chamberlain
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Chris Boykin and ensemble member Alana Arenas
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Ensemble member Kate Arrington
credit: Michael Brosilow
BELLEVILLE in Production
Production photos from Steppenwolf's production of Belleville, written by Amy Herzog and directed by Anne Kauffman. Belleville features ensemble members Alana Arenas and Kate Arrington with Chris Boykin and Cliff Chamberlain.
Helen Sadler
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Helen Sadler and ensemble members Molly Regan and Austin Pendleton
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Francis Guinan
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Steve Haggard
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
John McGinty
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Molly Regan
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Alana Arenas and John McGinty
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Director and ensemble member Austin Pendleton
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Steve Haggard
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Assistant Director Delia Baseman
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Alana Arenas and John McGinty
credit: Joel Moorman
TRIBES in Rehearsal
Rehearsal photos of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensemble members Alana Arenas, Francis Guinan and Molly Regan with Steve Haggard, John McGinty and Helen Sadler.
John McGinty, ensemble members Molly Regan and Francis Guinan, Helen Sadler and Steve Haggard
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Steve Haggard, John McGinty, Helen Sadler and ensemble member Molly Regan
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Alana Arenas
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Ensemble members Molly Regan and Alana Arenas, Helen Sadler, John McGinty, ensemble member Francis Guinan and Steve Haggard
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Ensemble members Francis Guinan and Molly Regan
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Helen Sadler and ensemble member Molly Regan
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Ensemble member Alana Arenas and John McGinty
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
John McGinty and ensemble member Alana Arenas
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Steve Haggard and John McGinty
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
John McGinty
credit: Michael Brosilow
TRIBES in Production
Production photos from Steppenwolf's production of Tribes, written by Nina Raine and directed by ensemble member Austin Pendleton. Tribes features ensembles Alana Arenas, Francis Guinan and Molly Regan. Additional cast includes Steve Haggard, John McGinty and Helen Sadler.
Ericka Ratcliff, Tamberla Perry and ensemble member Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Tamberla Perry
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ericka Ratcliff
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble member Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Keith D. Gallagher
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble members Tim Hopper and Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ariel Shafir and ensemble member Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Tim Frank and ensemble member Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble member Alana Arenas and Tamberla Perry
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble members Alan Wilder and Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble member Tim Hopper and Matthew Abraham
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble member Alan Wilder
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ensemble members Alana Arenas and Tim Hopper with Matthew Abraham
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
Ariel Shafir and ensemble member Alana Arenas
credit: Michael Brosilow
MARIE ANTOINETTE in Production
Production photos for Steppenwolf's production of Marie Antoinette, written by David Adjmi and directed by Robert O'Hara.
credit: Michael Brosilow
Fahrenheit 451
In a future where the written word is forbidden, firemen are paid to burn books, instead of fighting fires. For years Fireman Guy Montag blindly follows the orders of the totalitarian government. One day, after a chance encounter with a seventeen-year-old girl, Montag begins to read the books he burns and to question the life he leads.
<i>The Sparrow Project</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.
<i>A Blameless Life</i>
credit: Michael Brosilow
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.
<i>Men of Tortuga</i>
credit: Jay Geneske
First Look Repertory of New Work 2005
Steppenwolf Theatre Company proudly introduces the First Look Repertory of New Work, an inaugural program featuring developmental productions of three new plays in rotating repertory. Accompanying the performances is a series of readings, lectures and events regarding the development of new work.
ensemble member Rondi Reed and William Petersen
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Fool for Love
Fool for Love
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Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
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Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
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Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
credit:
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
credit: Doug McGoldrick
Fred Hersch's Leaves of Grass
Master pianist and composer Fred Hersch delivers Walt Whitman’s book of poems Leaves of Grass as a large-scale jazz score for two voices and an instrumental octet.
Ensemble members Austin Pendleton and Joan Allen
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Love Letters
Love Letters
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Of Mice And Men
Of Mice And Men
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Of Mice And Men
Of Mice And Men
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Of Mice And Men
Of Mice And Men
credit: Michael Brosilow
Orange Flower Water
In the small town of Pine City, Minnesota, two families are torn apart by an extramarital affair. They are drawn into a world of romantic uncertainty and disturbing moral ambiguity where people hurt each other and love keeps happening.
credit: Michael Brosilow
Orange Flower Water
In the small town of Pine City, Minnesota, two families are torn apart by an extramarital affair. They are drawn into a world of romantic uncertainty and disturbing moral ambiguity where people hurt each other and love keeps happening.
Ensemble members Francis Guinan and Sally Murphy
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Skylight
Skylight is the story of the gulf between Kyra, an idealistic inner-city schoolteacher and Tom, an upscale restaurateur for whom she once worked. When Tom pays a visit to Kyra's flat, the former lovers rehash old business and explore new territories in this play of remarkable depth and passion.
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Slaughterhouse-Five
Part history, part time-traveling science-fiction, Slaughterhouse-Five is the satirical tale of Billy Pilgrim, a naïve American optometrist from Illium, New York, who survives the firebombing of Dresden, Germany by American and British troops during World War II.
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Slavs!
Kelli Simpkins and Reynaldo Rosales
credit: Michael Brosilow
Tennessee Williams' One Arm
Ollie, a military boxer whose limb is lost in a car accident, turns to a life of hustling in Williams’s revealing and personal tale that was never allowed to be produced in his lifetime.
Josh Bywater, Reynaldo Rosales and Michael Stahl-David
credit: Michael Brosilow
Tennessee Williams' One Arm
Ollie, a military boxer whose limb is lost in a car accident, turns to a life of hustling in Williams’s revealing and personal tale that was never allowed to be produced in his lifetime.
Reynaldo Rosales and Steve Key
credit: Michael Brosilow
Tennessee Williams' One Arm
Ollie, a military boxer whose limb is lost in a car accident, turns to a life of hustling in Williams’s revealing and personal tale that was never allowed to be produced in his lifetime.
Libya V. Pugh, Monifa M. Days, Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Libya V. Pugh and Monifa M. Days
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Alana Arenas and Chavez Ravine
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
Cast, director Hallie Gordon and playwright Lydia Diamond at a post-show discussion
credit: Michael Brosilow
The Bluest Eye
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. With rich language and bold vision, this story examines the standards of beauty, a young girl’s coming of age, and the devastating events she endures.
credit:
The Caretaker
credit: Michael Brosilow
The Chosen
What starts as a stare down between Reuven and Danny on the baseball field transforms into a unique and challenging friendship. Together they are forced to better understand their fathers, their faith, and themselves. This acclaimed adaptation of Chaim Potok's celebrated novel set in 1940s Brooklyn examines the religious and intellectual choices that come with the passage from childhood to adulthood in America.
credit: Michael Brosilow
The Chosen
What starts as a stare down between Reuven and Danny on the baseball field transforms into a unique and challenging friendship. Together they are forced to better understand their fathers, their faith, and themselves. This acclaimed adaptation of Chaim Potok's celebrated novel set in 1940s Brooklyn examines the religious and intellectual choices that come with the passage from childhood to adulthood in America.
Kate Arrington and ensemble member Tracy Letts
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Jayne Houdyshell, Kate Arrington, Lillian Almaguer, Zak Orth, ensemble member Mariann Mayberry and James Vincent Meredith
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Zak Orth and ensemble member Tracy Letts
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Lillian Almaguer, Jayne Houdyshell, Zak Orth and Kate Arrington
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
James Vincent Meredith
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Lillian Almaguer, ensemble member Mariann Mayberry, Zak Orth and Jayne Houdyshell
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Zak Orth and ensemble member Mariann Mayberry
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Ensemble member Mariann Mayberry, Lillian Almaguer, Zak Orth and Jayne Houdyshell
credit: Michael Brosilow
The Pain and the Itch
This darkly funny, bitingly insightful comedy exposes one family's dysfunction and darkest secrets during a particularly interesting Thanksgiving.
Ensemble members Amy Morton and Tracy Letts
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The Well-Appointed Room
The Well-Appointed Room
Josh Charles and Kate Arrington
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The Well-Appointed Room
The Well-Appointed Room
Ensemble members Tracy Letts and Amy Morton
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The Well-Appointed Room
The Well-Appointed Room
Josh Charles, Kate Arrington and ensemble member Tracy Letts
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The Well-Appointed Room
The Well-Appointed Room
Kate Arrington and ensemble member Tracy Letts
credit: Michael Brosilow
The Well-Appointed Room
The Well-Appointed Room
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Theatrical Essays
Tina Landau explores the essay form in performance and asks what it means to have a point of view.
Ensemble members Amy Morton and Tracy Letts
credit: Michael Brosilow
Three Days Of Rain
A famous architect has died and left a mysterious will, prompting his children and their best friend to wonder about their families' history.
Ensemble members Moira Harris, Molly Regan and Joan Allen
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Three Sisters
David Rainey with ensemble member K. Todd Freeman
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Topdog/Underdog
Lincoln and Booth are brothers, named by their father as a joke. Lincoln sits in an arcade all day, dressed as his presidential namesake and is assassinated over and over. Booth, stays in their run down apartment, practicing to be a great Three-Card Monte hustler.
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Tracers
David Cale's <i>A Likely Story</i>
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Traffic Jam 2005
Traffic Jam 2005
David Cale's <i>A Likely Story</i>
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Traffic Jam 2005
Traffic Jam 2005
Fred Hersch's <i>Leaves of Grass</i>
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Traffic Jam 2005
Traffic Jam 2005
Fred Hersch's <i>Leaves of Grass</i>
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Traffic Jam 2005
Traffic Jam 2005
Buddy Guy: In Conversation with Rich Cohen
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Traffic Jam 2005
Traffic Jam 2005
Buddy Guy: In Conversation with Rich Cohen
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Traffic Jam 2005
Traffic Jam 2005
Kiki & Herb: <i>Jesus Wept</i>
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Traffic Jam 2005
Traffic Jam 2005
Kiki & Herb: <i>Jesus Wept</i>
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Traffic Jam 2005
Traffic Jam 2005
Elaine Stritch: In Conversation with John Callaway
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Traffic Jam 2005
Traffic Jam 2005
Elaine Stritch: In Conversation with John Callaway
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Traffic Jam 2005
Traffic Jam 2005
<i>Poetry Speaks to Children</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>Poetry Speaks to Children</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>Chicago Stories</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>Chicago Stories</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>South Side Stories</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>South Side Stories</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>Dr. John & Marcia Ball</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>Dr. John & Marica Ball</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>The Roches with a Holiday Twist</i>
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Traffic Jam 2005
Traffic Jam 2005
<i>The Roches with a Holiday Twist</i>
credit: Doug McGoldrick
Traffic Jam 2005
Traffic Jam 2005
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Wendall Greene
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
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Will the Circle Be Unbroken?
Steppenwolf Theatre Company's Traffic series closes Millennium Park's "Blockbuster Weekend" with a performance of Studs Terkel's Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman and Sally Murphy.
credit: Michael Brosilow
World Set Free
Brilliantly eccentric Hungarian scientist Leo Szilard and Enrico Fermi tell the story of the fevered work of a unique collection of scientists that were gathered at the University of Chicago in April of 1942.
Monifa Days, Alana Arenas and Libya Pugh
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
James Vincent Meredith
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Alana Arenas
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine and Alana Arenas
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
James Vincent Meredith
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Alana Arenas
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine, Taron Patton and Noelle Hardy
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Libya Pugh and Monifa Days
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Taron Patton and Alana Arenas
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine and Victor Cole
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Alana Arenas, Monifa Days and Libya Pugh
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Chavez Ravine and Alana Arenas
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Taron Patton
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The Bluest Eye in Production
Nobel Prize-winning author Toni Morrison's The Bluest Eye is a story about the tragic life of a young black girl in 1940's Ohio. Eleven year-old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse.
Actor Kirk Anderson and Fight Choreographer Jeffrey Baumgartner
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Jeffrey Baumgartner and Kirk Anderson
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Fight Choreographer Jeffrey Baumgartner works with actors Bradley Mott and Kirk Anderson
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Kirk Anderson
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Bradley Mott, Kirk Anderson and Jeffrey Baumgartner
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Jeffrey Baumgartner and Kirk Anderson
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
Bradley Mott
credit: Jay Geneske
Fight Choreography in Huck Finn
The cast and crew of Huck Finn in fight choreography rehearsal for the Mark Twain classic, adapted by Laura Eason.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
credit: Jay Geneske
The John Pizzarelli Quartet:Dear Mr. Sinatra
John Pizzarelli is among the prime contemporary interpreters of the great American songbook. Featuring selections from his new album Dear Mr. Sinatra, this charismatic performer brings his signature, improvisational style to the Steppenwolf stage for an evening of standards, late night ballads and cool jazz.
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TJ and Dave
TJ and Dave perform in the Upstairs Theatre as part of the Traffic series.
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TJ and Dave
TJ and Dave perform in the Upstairs Theatre as part of the Traffic series.
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TJ and Dave
TJ and Dave perform in the Upstairs Theatre as part of the Traffic series.
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TJ and Dave
TJ and Dave perform in the Upstairs Theatre as part of the Traffic series.
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TJ and Dave
TJ and Dave perform in the Upstairs Theatre as part of the Traffic series.
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500 Clown Frankenstein in Production
In 500 Clown Frankenstein, three clowns arrive onstage to tell the story of Frankenstein. Challenging costumes, poor lighting, difficult language and an ornery table prevent them from properly telling Mary Shelley's classic tale.
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500 Clown Frankenstein in Production
In 500 Clown Frankenstein, three clowns arrive onstage to tell the story of Frankenstein. Challenging costumes, poor lighting, difficult language and an ornery table prevent them from properly telling Mary Shelley's classic tale.
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500 Clown Macbeth in Production
In 500 Clown Macbeth, three clowns descend upon a stage to perform Shakespeare's Scottish Play. Infected by ambition, they compete for the role of Macbeth. In the process, the clowns destroy the text, the set, and eventually each other.
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500 Clown Macbeth in Production
In 500 Clown Macbeth, three clowns descend upon a stage to perform Shakespeare's Scottish Play. Infected by ambition, they compete for the role of Macbeth. In the process, the clowns destroy the text, the set, and eventually each other.Past Productions
- The Fundamentals
- Balm in Gilead (Remount at the Apollo Theater Center)
- Belleville
- Dream Chicago
- Good People
- Head of Passes
- In the Red and Brown Water
- Man in Love
- Marie Antoinette
- Middletown
- Monster
- Spare Change
- Stories on Stage: Tilting at Windmills
- The Bluest Eye
- The Bluest Eye
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Crucible
- The Etiquette of Vigilance
- The Hot L Baltimore
- The March
- The Sparrow Project
- The Tempest
- Three Sisters
- Tribes
- Purpose
Member Profiles
Alana Arenas
Upcoming Productions
Past Productions
- Balm in Gilead (Remount at the Apollo Theater Center)
- Belleville
- Dream Chicago
- Good People
- Head of Passes
- In the Red and Brown Water
- Man in Love
- Marie Antoinette
- Middletown
- Monster
- Spare Change
- Stories on Stage: Tilting at Windmills
- The Bluest Eye
- The Bluest Eye
- The Brother/Sister Plays
- The Brothers Size / Marcus; Or the Secret of Sweet
- The Crucible
- The Etiquette of Vigilance
- The Fundamentals
- The Hot L Baltimore
- The March
- The Sparrow Project
- The Tempest
- Three Sisters
- Tribes